Let’s begin with another music video: “In Your Arms,” by Kina Grannis. The song itself is… cute. A happy if not particularly world-shaking romantic pop tune. But the video:
I know, right? That’s a hell of a lot of work. Specifically, it’s 2,460 frames, created and shot entirely by hand over 1,357 hours using 288,000 jellybeans. Damn. The numbers are tabulated in this equally fascinating (to me) video — the one that actually moved me to write an entry in my poor neglected blog — right here:
On the face of it, two solid years of labor for a single music video sounds pretty crazy. Her record “Stairwells” came out in early 2010 — isn’t the buzz cycle for a disc supposed to have ended by this point? On the other hand, the final result is getting a lot of attention. And she comes off as pretty charming in the making-of, to the point that I’ll probably give a few of her other songs a listen as a result.
I don’t know what it says about me that I so often find the “how we did it” documentation at least as interesting as the end result. I have spent many happy hours, for example, listening to the screenwriters’ commentary tracks on the Lord of the Rings extended DVDs, as Jackson-Walsh-Boyens talk about the millions of tiny decisions they had to make on what to keep, what to move, what to cut. (The screenwriter’s commentary on “Sense and Sensibility” is pretty great as well, but hey, Emma Thompson, how can you go wrong.)
And finally, if you haven’t seen the animation work done for Oren Lavie’s “Her Morning Elegance,” well. Hie thee hither.